“a profound exploration of identity, loss, and recovery. Admittedly this is a generalization, but what makes Bertram’s work special to my reading is the intensity with which she displaces the normative definitions of body”

—Bill Scalia, review of The Urge to Believe Is Stronger than Belief Itself

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imageErin M. Bertram is working on a doctorate in Creative Writing at the University of Nebraska-Lincoln, where they teach and tutor, and volunteer with the LGBTQA+ Resource Center. They are also a Zen practitioner.

The author of eleven chapbooks, including Memento Mori and Inland Sea, Bertram’s work has appeared in LevelerSo to Speak, Copper NickelUprooted: An Anthology on Gender and Illness, as a published finalist in the 2013 Diagram Essay Contest, and elsewhere.  The recipient of a 2017 Hambidge Center residency and a 2016 Karen Dunning Scholarly Paper/Creative Activity Award, Bertram has received awards and fellowships from the Frank O’Hara Chapbook Series, Washington University in St. Louis (MFA, 2008), Augustana College, Prague Summer Program for Writers, and the Academy of American Poets.  Bertram has three lyric hybrid text chapbooks forthcoming: from The Vanishing of Camille Claudel (Winter 2016), about the life and work of the nineteenth-century French sculptor; Gender/Genre (2017), in which non-binary identity challenges the gendered body; and Relief Map, a winner of C&R Press’s Summer Tide Pool Chapbook Competition, which uses etymology to navigate eros-turned-longtime partnership (2017).